Su - 'The Stage' Archives - 1 (Reviews & News)

Dick Whittington : Llandudno 
The Stage : 29/12/2001 
VICTOR HALLETT 

North Wales Theatre's pantomime is big and spectacular - the Act I closer The Hall of History is an eyepopper - but never for a moment does it lose touch with its audience.
Dick Whittington is played by Su Pollard and she is excellent at picking up and responding to audience reaction. Once she has them blowing raspberries, the children are completely on her side and she is a smashing principal boy. Her glasses might be unusual in the role but her vigour, charm, legs and singing are just right.
She is also blessed with a superb cat. Justin Webb's lithe movements are a joy to behold and he leads the opening dance of Act II in magnificent style. His climactic fight with Christopher Howell's menacing King Rat is splendidly choreographed.
Paul Danan, late of Hollyoaks, makes his pantomime debut as Mate and looks as though he is an old hand. Barry Hester is a splendidly robust Sarah the Cook. The haunted bedroom scene he shares with Danan and Max Ward's Captain is very funny.
This panto is full of glamour and wonder. The audience left feeling they had become friends with everyone on stage. 
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The Pirates Of Penzance : 
The Stage : 23/08/2001

The Pirates of Penzance, by Gilbert and Sullivan. Open Air Theatre, Regent's Park NW1 to September 8, then tour.
Management: as presented on Broadway by the New York Shakespeare Festival.Cast: Gary Wilmot, Su Pollard, David Alder, Joshua Dallas, Karen Evans, Sara Hillier, Alison Crowther, Eileen Hunter, Catrin Darnell. Director: Ian Talbot. Designer:
Terry Parsons. Musical director: Catherine Jayes. Choreographer: Gillian Gregory.Press: Rosie Hills, 020 7487 1383.
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Production News - Su Pollard
The Stage : 05/07/2001 

Gary Wilmot and Su Pollard star in the New Shakespeare Company's production of The Pirates of Penzance which begins its tour at the Churchill Theatre, Bromley on September 10. 
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The Pirates Of Penzance : 06/09/2001
Regent's Park Open Air Theatre/Touring
JAMES GREEN

This version of the venerated Gilbert and Sullivan operetta originated through Joe Papp and New York's Central Park. It was an immediate success there so, after Broadway, West End and film productions, it has returned to a park theatre.
And on fine nights a magical theatre it is too - a natural amphitheatre surrounded by trees with the stage shining hypnotically in the dusk. A total delight.
This souped-up and modernised adaptation, which uses material from the writers' other shows and even an Elvis impression, has been completely re-cast by director Ian Talbot.
A shaven-headed Gary Wilmot as the Pirate King and Su Pollard playing a man-chasing old maid give the performance a distinct pantomime feel. There is even a song sheet with a split singalong audience and a hilarious squad of dancing Keystone Cops.
Since the colourful pirates are all spineless bravado, ever ready to spare orphans, any cops versus buccaneers fighting is of the knockabout variety.
Aside from Wilmot and Pollard, there are three other stand-out roles. David Alder as a blimpish major-general scores with his contribution, Joshua Dallas does nicely as the reformed pirate turned hero and best of all is Karen Evans as his romantic target.
Her voice soars higher than the mainmast - clearly a girl with a future. Although relatively unknown, she is a natural lead for musicals.
Compliments also to Giles Taylor and his gang of feeble cops, the men sailing under the Jolly Roger and the four young ladies in crinoline. 
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Television Review 
The Stage 01/11/2001 

FRI, NOV 2 Gimme Gimme Gimme - BBC1 sixpart comedy series (9.30 - 10pm) Production company: Tiger Aspect and Hartswood Films. Cast includes:
James Dreyfus, Kathy Burke, Rosalind Knight, Brian Bovell, Beth Goddard, Ann Mitchell, Simon Shepherd, Su Pollard. Writer: Jonathan Harvey. Producer: Francis Matthews. Director: Tristram Shapeero. Executive producers: Mark Chapman, Sue Vertue, Jon Plowman.
The Stage 16/07/1998 
Paul Elliott is presenting Philip King's farce See How They Run for a season at the Pier Theatre, Bournemouth, running until September 5. Produced and directed by Brian Hewitt-Jones, it has Britt Ekland, Su Pollard, Jeffrey Holland, Victor Spinetti, Tim Marriott, Hilary Minster, Stuart McLean, Rachel Clark and Nick Bayly in the cast. It is designed by Alan Miller- Bunford, with lighting by Graham McLusky. 
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See How They Run : Bournemouth
The Stage : 23/07/1998 
CHRISTOPHER DAY 

Star names will attract crowds to this old Philip King farce being presented by Paul Elliott at Bournemouth's Pier Theatre throughout the summer, but, unfortunately, it is not a vintage in which the scenario or script have effectively survived.
When written in 1944, the fact of a vicar's wife being an ex-actress doubtless promised hilarious consequences, especially as compounded with a trio of clergymen chasing each other around the vicarage hall. I recall much laughter when Claude Hulbert headed a company here in Bournemouth in 1957. However, 40 years on, the piece now offers no more than mild amusement.
Credit then to director Brian Hewitt-Jones and his experienced cast for exploiting every possible crumb of opportunity to maintain a humorous atmosphere.
With her considerable comedy expertise, Su Pollard ensures that frustrated parishioner Miss Skillon is an eccentric figure of fun, while Britt Ekland shows that international star status does not preclude keen participation in end of the pier fare - portraying the vicar's ex-actress wife, she strives as hard as anyone to keep this farce alive.
Perhaps Jeffrey Holland could appear a shade more twittery as the vicar, in extravagant contrast to the commanding presence of Victor Spinetti who, striding on to play the Bishop, temporarily steps up the action. But despite energetic skills from the principals together with Tim Marriott (Clive) and Hilary Minster (Intruder) supported by Stewart McLean (Reverend Humphrey), Rachel Clarke (Maid) and Nicky Bayly (Sergeant Powers), laughs are few.
Mostly, response is merely denoted by smiles although Alan Miller-Bunford's traditional set wins applause. 
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